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A List Of Principal Paintings By Sodoma And Their Present Locations

AUSTRIA-HUNGARY. VIENNA, IMPERIAL GALLERY: Holy Family — BELGIUM. BRUSSELS, OWNED BY BARON DE SOMZEÈ: Pietà; Leda and the Swan —ENGLAND. CORSHAM, CORSHAM COURT, COLLECTION OF LORD METHUEN: Ecce Homo—KNUTSFORD, OWNED BY COLONEL H. CORNWALL LEIGH: Holy Family—LONDON, NATIONAL GALLERY: Madonna and Child with Saints; Head of Christ—LONDON, DORCHESTER HOUSE: Holy Family—LONDON, OWNED BY DR. LUDWIG MOND: St. Jerome; Ecce Homo; Madonna and Child —LONDON, OWNED BY DR. J. P. RICHTER: Dead Christ; Ma-donna and Child—LONDON, OWNED BY WALTERSICHEL, EsQ.: Holy Family— RIcHMOND,OWNED BY SIR FREDERICK COOK: St. George and the Dragon—FRANCE. CHAMBERY, OWNED BY THE MARQUIS COSTA DE BAUREGARD: Christ bearing the Cross — GERMANY. BERLIN GALLERY: Charity—FRANKFORT, STXDEL INSTITUTE: Portrait of a Lady (PlateIx) — MUNICH GALLERY: Holy Family—ITALY. ASINA-LUNGA, COLLEGIATA: Madonna Enthroned—BERGAMO, BIBLIOTECA LOCHIS: Madonna and Child; Head of a Man—FLORENCE, UFFIZI GALLERY: St. Sebastian (Plate I); Madonna in Glory with Saints (on the reverse side of the picture of 'St. Sebastian'); Portrait, said to be of Sodoma—FLORENCE, CONVENT OF MONTE OLIVETO: The Last Supper (fresco)—FLORENCE, SIGNOR ENRICO COSTA'S COLLECTION: Pietà—FLORENCE, PITTI PALACE: Portrait of a Man; Pietà—GENOA GALLERY: Holy Family—MILAN, BRERA GALLERY: Madonna and Child (Plate vIII)--MILAN, CHURCH OF SAN TOMMASO: Pietà—MILAN, MusEO Civico: St. Michael — MILAN, OWNED BY DR. FRIZZONI: The Magdalene — MILAN, OWNED BY THE GINHOULHIAC FAMILY: Madonna and Child—MILAN, V ITTADINI COLLECTION: Holy Family — MONTEPULCIANO, PICTURE GALLERY: Holy Family—MONTE OLIVETO MAGGIORE (near Siena),BENEDICTINE MONASTERY: [CLOISTER] Twenty-five frescos of scenes from the life of St. Benedict (see Plate x); [oN THE STAIRS] Coronation of the Virgin; [oN CLOISTER ARCH] St. Benedict instituting his Order; Christ bearing the Cross; Christ Bound; [OVER A DOOR] Madonna and Saints; [ON A STAIRWAY] Pietà—NAPLES MUSEUM: Resurrection—PISA, MUSED CiviCO: Virgin and Saints—PISA, CATHEDRAL: Sacrifice of Isaac; Pietà—ROME, VATICAN, STANZA DELLA SEGNATURA: Decoration of Ceiling, except the Panels (frescos)-ROME, BORGHESE Gallery: Pietà; Holy Family—ROME, PALAllO CHILI: Persecution of Rhea Silvia—ROME, VILLA FARNESIN A: Marriage of Alexander (fresco); Family of Darius before Alexander (fresco)— ROME, VILLA MALTA: Charity—ROME, OWNED BY DONNA LAURA MINGHETTI: Holy Family—ROME, PALAllO SPADA: St. Christopher—SAN GIMIGNANO, PRISON CHAPEL: St. Ives (fresco)—SAN GIMIGNANO, ON THE WALL OF LOGGIA OPPOSITE COLLEGIATA: Virgin Enthroned —SIENA, ACADEMY: Descent from the Cross (Plate Iv); Nativity; Christ in the Garden of Gethsemane (fresco) (see Plate is); Descent into Hades (fresco) (see Plate II); Christ bound to the Column (fresco); Judith; St. Catherine of Siena; Four Panels belonging to a Bier—SIENA, CHURCH OF SANT AGOSTINO: Adoration of the Magi—SIENA, ORATORY OF SAN BERNARDINO: Presentation of the Virgin (fresco); Visitation (fresco); Assumption of the Virgin (fresco) (Plate vii); Coronation of the Virgin (fresco); St. Louis of Toulouse (fresco); St. Anthony of Padua (fresco); St. Francis of Assisi (fresco); Madonna — SIENA, CHURCH OF THE CARMINE: Birth of the Virgin—SIENA, CASA BAMBAGINI: Pietà (fresco) — SIENA, CHURCH OF SAN DOMENICO: [CHAPEL OF ST. CATHERINE] The Swooning of St. Catherine (fresco) (see Plate III); The Communion of St. Catherine (fresco); Execution of Niccolôdi Toldo (fresco); [SACRISTY] Assumption; [CHAPEL OF THE ROSARY] Altarpiece—SIENA, CHURCH OF SAN GIOVANNI E SAN GENNARO: Four Panels belonging to a Bier—SIENA, PALAllO PUBBLICO: [SALA DEL MAPPAMONDO] St. Ansanus (fresco); St. Victor (fresco) (Plate vI); St. Bernardo Tolomei (fresco); [CHAPEL] Holy Family with St. Leonard (Plate v); [SALA DEI MATRIMONI] Madonna and Saints (fresco); [SALA DEL PRESIDENTE]Resurrection (fresco); [CAPELLA DEI N OBILI] Madonna and Saints (fresco) — SIENA, CHURCH OF SAN SPIRITO: St. James (fresco); St. Anthony Abbot (fresco); St. Sebastian (fresco); Madonna and St. Ildefonso; St. Michael; St. Niccold Tolentino—SIENA, Hos-PITAL: Holy Family — SIENA, PORTA PISPINI: Nativity(fresco)—SIENA, PIAllA ToLo-MEI: Madonna and Saints—SIENA, VILLA GRICCIOLI: Procession to Calvary (fresco).

SIENA, CONVENT OF SANT' ANNA IN CRETA : Miracle of the Loaves and Fishes (three frescos); Pietà (fresco); St. Anna (fresco); Bishop and Monks (fresco); Head of Christ (fresco)—TURIN GALLERY: Madonna Enthroned; Holy Family-.—VAPRIO D' ADDA, VILLA MELZI: Madonna and Child (fresco)—VENICE, LAYARD COLLECTION: Madonna and Child — VERCELLI, OWNED BY SIGNOR AVOCATO ANT. BORGOGNA: Holy Family—SCOTLAND. LONGNIDDRY, GOSFORD HOUSE, OWNED BY THE EARL OF WEMYSS: Holy Family.

SODOMA BIBLIOGRAPHY

A LIST OF THE PRINCIPAL BOOKS AND MAGAZINE ARTICLES DEALING WITH SODOMA

ALEXANDRE, A. Histoire populaire de la peinture: école italienne. Paris [1894]—AQUARONE, B. Gli ultimi anni della storia repubblicana di Siena. Introduzione. Siena, 1869—BLANC, C. Histoire des peintres de toutes les écoles; école milanaise. Paris, 1876 —BLASHFIELD, E. H. and E. W. Italian Cities. New York, 1901—BORGHESI, S., and BANCHI, L. Nuovi documenti per la storia dell' arte senese. Siena, 1898—BRUZZA, L. Notizie intorno alla patria e ai prilni studi del pittore Giovan Antonio Bazzi (in Miscellanea di storia italiana). Turin, 1862 — BURCKHARDT, J. Der Cicerone. Leipsic, 1904— CUST, R. H. H. Bazzi, Giovanni Antonio (in Bryan's Dictionary of Painters and Engravers). London, 1903—05—DOUGLAS, L. A History of Siena. London, 1902—FACCIO, C. Giovan Antonio Bazzi. Vercelli, 19oz—FRIZZONI, G. Giovanni Antonio de' Bazzi, detto il Sodoma (in Acte italiana del Rinascimento). Milan, 1891—GARDNER, E. G. The Story of Siena and San Gimignano. London, 1902—GAYE, J. Carteggio inedito. Florence, 1839—4o—HASTINGS, G. Siena, its Architecture and Art. London, 1902—JANSEN, A. Leben und Werke des Malers Giovannantonio Bazzi, genannt il Sodoma. Stuttgart, 1870—KUGLER, F. T. The Italian Schools of Painting. Revised by A. H. Layard. London, 1900—KUHN, P. A. Allgemeine Kunstgeschichte. Einsiedeln, 1891 et seq.—LANZ1, L. History of Painting in Italy: Trans. by Thomas Roscoe. London, 1847—LUBKE, W. History of Art. New York, 1904—MILANESI, G. Documenti per la storia dell' arte senese. Siena, 1854—56—MORELLI, G. Italian Painters: Trans. by Constance Jocelyn Ffoulkes. London, 1892—93—MtINTZ, E. Histoire de l'art pendant la Renaissance. Paris, 1889—95—PECCI, G. A. Memorie storico-critiche della città di Siena. Siena, 1755—60 ( — PHILIPPI, A. Die Kunst der Renaissance in Italien. Leipsic, 1897 — PRIULI-BON, CONTESSA. Sodoma. London, I900 —Ricci, C. Il Palazzo Pubblico di Siena e la mostra d'antica arte Senese. Bergamo, 1904—RICHTER, L. M. Siena. Leipsic, 1901—Rio, A. F. De l'art chrétien. Paris, 1861—ROMAGNOLI, E. Cenni storico-artistici di Siena. Siena, 1840—RUMOHR, C. F. v. Italienische Forschungen. Berlin, 1827—RUSCONI. A. J. Siena. Bergamo, 1904—SYMONDS, J. A. Renaissance in Italy. London, 1897—THAUSING, M. Wiener Kunstbriefe. Vienna, 1884 —VALLE, G. DELLA. Lettere senesi. Venice, 1782-86—VASARI, G. Levite dé più eccellenti pittori, etc., con nuove annotazioni e commenti di Gaetano Milanesi. Florence, 1881—VASARI, G. Lives of the Painters. New York, 1897 — VISCHER, R. Giovanni Antonio de' Bazzi, genannt il Sodoma. Leipsic, '878.

MAGAZINE ARTICLES

ARCHIVIO STORICO DELL' ARTE, 1891: G. Frizzoni; Il Sodoma, Gaudenzio Ferrari, Andrea Solari— L' ARTE, 1901 : E. Brunelli; Contessa Priuli-Bon, Sodoma (a review)—THE ARTIST, 1890': L. M. Richter; The Influence of Quercia on Sodoma —ART JOURNAL, 1884: W. Sharp; Monte Oliveto and the Frescos of Sodoma. 19o5: C. Phillips; A Portrait by Girolamo del Pacchia— GAZETTE DES BEAUX-ARTS, 1878: C. Timbal; Giovanni Antonio de Bazzi, surnommé le Sodoma— GRAPHISCHEN KUJNSTE, 1893: R.Graul; Des Antonio de Bazzi Verm£hlung Alexander's mit Roxana—JAHRBUCH DER KONIGLICHEN PREUSSISCHEN KUNSTSAMMLUNGEN, 1894: R. Foerster; Die Hochzeit Alexander' sim Renaissance. 1897: C. Scliuschardt; Sodomas Lukrezia im Kestner-Museum zu Hannover — NuovA ANTOLOGIA, 1871: G. Frizzoni; Giovanni Antonio de' Bazzi, detto il Sodoma— ZEITSCHRIFT FUR BILDENDE KUNST, 1874: G. Frizzoni; Giovanni Antonio Bazzi und sein Bildniss im Kloster von Monte Oliveto. 1875: R. Vischer; Sienesische Studien.

( Originally Published 1906 )

Sodoma:
Giobanni Antonio Bazzi - Called Sodoma

The Art Of Sodoma

A List Of Principal Paintings By Sodoma And Their Present Locations



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