Great Exhibition Of 1851

( Originally Published Early 1900's )

After the middle of the nineteenth century, this world of new powers and old ideas, this fermenting new wine in the old bottles of diplomacy, broke out through the flimsy restraints of the Treaty of Vienna into a series of wars. But by an ironical accident the new system of disturbances was preceded by a peace festival in London, the Great Exhibition of 1851. This exhibition deserves a paragraph or so.

The moving spirit in this exhibition was Prince Albert of Saxe-Coburg-Gotha, the nephew of Leopold I, the German king who had been placed upon the Belgian throne in 1831, and who was also the maternal uncle of the young Queen Victoria of England. She had become queen in 1837 at the age of eighteen. The two young cousins they were of the same age had married in 1840 under their uncle's auspices, and Prince Albert was known to the British as the "Prince Consort." He was a young man of sound intelligence and exceptional education, and he seems to have been greatly shocked by the mental stagnation into which England had sunken. Oxford and Cambridge, those once starry centres, were still recovering but slowly from the intellectual ebb of the later eighteenth century. At neither university did the annual matriculations number more than four hundred. The examinations were for the most part mere viva voce ceremonies. Except for two colleges in London (the University of London) and one in Durham, this was all the education on a university footing that England had to offer. It was very largely the initiative of this scandalized young German who had married the British queen which produced the university commission of 1850, and it was with a view to waking up England further that he promoted the first International Exhibition which was to afford some opportunity for a comparison of the artistic and industrial products of the various European nations.

The project was bitterly opposed. In the House of Commons it was prophesied that England would be overrun by foreign rogues and revolutionaries who would corrupt the morals of the people and destroy all faith and loyalty in the country.

The exhibition was held in Hyde Park in a great building of glass and iron which afterwards was re-erected as the Crystal Palace. Financially it was a great success. It made many English people realize for the first time that theirs was not the only industrial country in the world, and that commercial prosperity was not a divinely appointed British monopoly. There was the clearest evidence of a Europe recovering steadily from the devastation of the Napoleonic wars, and rapidly overtaking the British lead in trade and manufacture. It was followed directly by the organization of a Science and Art Department (1853), to recover, if possible, the educational leeway that Britain had lost.

The exhibition released a considerable amount of international talk and sentiment. It had already found expression in the work of such young poets as Tennyson, who had glanced down the vista of the future.

The vision was premature. Beneath the apparent peace of that brief interval of liberalism and superficial enlightenment the seeds of a new crop of international conflicts were germinating. France was nominally a liberal Republic. But her president was a Bonaparte, the nephew of the first Napoleon, he was a person of great cunning and enterprise, and he was destined to bring upon France and Europe even greater disasters than those his uncle had achieved a century before.