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Oriental Art: Writers On Oriental Art Pottery And Porcelain - Chinese More Pottery And Porcelain - Chinese Chinese Marks On Porcelain Chinese Porcelain Factories Crackle Porcelain Jade metal Vases And Bronzes - Chinese Symbolical Ornaments Used In The Decoration Of Chinese Bronzes Symbolical Ornaments Chinese Symbols On Porcelain Buddhist Symbols On Porcelain More Oriental Art Articles |
( Originally Published Late 1800's )
The artistic merit of these vessels lies principally in the outline and chaste method of relief decoration, consisting mostly of scrolls and intricate curves, each of which had its significance to the designer, relating specially to the action the vessel was to commemorate, or admonishing the recipient to guard against evils in his path. Of these evils gluttony appears to have been considered the most dangerous, for its symbol is encountered on three-fourths of the vessels of these periods. A not unusual decoration upon mirrors and such vessels is the cycle of Fuh-he, the founder of the Chinese Empire (about 3300 B. C.) He is still worshipped as the author of all inventions. He claimed to have discovered both the active and passive principles in nature. The active he termed Yang or male, and the passive, Yin or female. His cycle is symbolical of all the possible changes in nature. It consists of the eight possible combinations under his division of the sacred number three. Plate C, fig. 19.
Fuh-he also discovered the dragon Lung, the God of Rain, arising from a river in the provinoe of Ho-nan, and who is represented ascending and descending in the clouds. He has four legs, with five claws on each foot, and his figure has been adopted as the imperial insignia. Occasionally the dragon is suggested upon vessels of this period. A figure more frequently introduced is that of the bird Hwang, which only appears in seasons of abundant harvests and great prosperity.
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