|
|
ABC Of Japanese Art: Painting Sculpture Industrial Arts Ceramic Arts Lacquer Wares Textiles Metalwork Architecture Shinto Architecture Buddhist Architecture More Articles On Japanese Art More Articles On Oriental Art |
( Originally Published Early 1900's )
Both styles are simple and archaic ; but their extensive environments give visitors a sacred and inspired feeling. Especially is the Ise Daijingu the symbol of the Japanese spirit and faith. Both styles will be found in many districts over the whole Empire. In Nara, the old capital of Japan, stands the Kasuga shrine (Fig. 61). Its two-storied tall red gate in front of the main shrine which is also colored red and green, differ greatly from those simple and plain styles of the Taisha-zukuri and of the Shimmei-zukuri. The shrine was founded in the 8th century by the Fujiwara families as their tutelary god. Here in this Shinto shrine we see that the Buddhist style of architecture crept into the colorful style of the Kasuga shrine. The Kitano shrine in Kyoto, and the Osaki Hachiman shrine in Sendai, represent another remarkable style of Shinto architecture called Gongen-zukuri. This style developed in the Momoyama Period and was subjected to much influence from Buddhist architecture. It has a main hall and an oratory, connected by an intermediate room called ai-no-ma. This is a characteristic feature of the Gongen-zukuri style. The construction and decoration of the outside and inside are elaborate. This is also a special feature of the Gongen zukuri architecture.
Nikko shrine, so famous throughout the world, belongs also to this style of Shinto architecture. But it is too elaborate in construction and too ornate in rich colors, and thereby greatly opposed to the simple style of the early Shinto shrine, which is most aptly expressed in the Shimmei-zukuri style of Shinto architecture.
|
|
|