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Cathedrals Of France:
Notre Dame De Laon
Notre Dame De Noyon
Notre Dame De Soissons
Notre Dame D'Amiens
St. Pierre De Beauvais
Notre Dame De Rouen
Basilique De St. Denis
Notre Dame De Paris
St. Louis De Versailles
St. Julien - Le Mans
Notre Dame De Chartres
Notre Dame De Reims
St. Croix D'Orleans
St. Lous De Blois
St. Gatien De Tours
St. Maurice D'Angers
St. Pierre De Nantes
St. Etienne D'Auxerre
St. Etienne De Bourges
St. Cyr And St. Juliette De Nevers
St. Mammes De Langres
Notre Dame De Boulogne-Sur-Mer
Notre Dame De Cambrai
Notre Dame De St. Omer
St. Vaast D'Arras
St. Etienne De Toul
St. Etienne, Chalons-Sur-Marne
St. Die
St. Lazare D'Autun
St. Benigne De Dijon
Notre Dame De Senlis
St. Etienne De Meaux
St. Pierre De Troyes
St. Etienne De Sens
Notre Dame D'Evreux
Notre Dame D'Alencon
St. Pierre De Lisieux
Notre Dame De Seez
Notre Dame De Bayeux
Notre Dame St. Lo
Notre Dame De Coutances
St. Pierre D'Avranches
St. Samson, Dol-De-Bretagne
St. Malo And St. Servan
Treguier
St. Brieuc
St. Pol De Leon
Vannes

Notre Dame D'Alencon

( Originally Published Ealry 1900's )



This former capital of the duchy of the same name is a sleepy, countrified French town, with little but its reputedly valuable and beautiful lace to commend it to the average observer.

As a cathedral town, of even secondary rank, it will fall far short of any preconceived ideas which one may be possessed of concerning it, though its Cathedral of Notre Dame is in many ways one of those irresistible shrines, which at least promise, and often fulfil, a great deal more than their lack of magnitude indicates.

Its facade, lacking the conventional towers, advances well into the roadway, as a sort of forward porch; as at Louviers near by. This porch is very ornate, with decorations of the late Gothic period of flowing tracery.

After all, it is an incongruous sort of a building, in that only this porch and its squat central tower, which is nought but a mere cupola, are in the least decorative.

The nave, the choir and chevet, and chapels, are all of a bareness which only exaggerates the floridness of these other appendages. The nave itself is but one hundred and ten feet long, and perhaps a scant thirty wide, and dates from the fourteenth century. It contains good glass of the same period, which luckily escaped the spoliation of the Revolution.

The choir is more modern, and much plainer in treatment, and is but fifty-five feet in length and of the same width as the nave.

There are no transepts; in short, the chief and most interesting features of the church are the before mentioned details, which, unquestionably bordering upon the debasement of Gothic art, are in every way attractive, with lightness and colour, if such an expression may be applied to gray stone.

Certainly the play of sunlight on gracefully carven stone is indicative of a brilliancy which might be termed an effect of colour; and it is with respect to that quality that the west facade of Notre Dame d'Alencon appeals; more than as an otherwise grand or even highly interesting structure.



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