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Cathedrals Of France: Notre Dame De Laon Notre Dame De Noyon Notre Dame De Soissons Notre Dame D'Amiens St. Pierre De Beauvais Notre Dame De Rouen Basilique De St. Denis Notre Dame De Paris St. Louis De Versailles St. Julien - Le Mans Notre Dame De Chartres Notre Dame De Reims St. Croix D'Orleans St. Lous De Blois St. Gatien De Tours St. Maurice D'Angers St. Pierre De Nantes St. Etienne D'Auxerre St. Etienne De Bourges St. Cyr And St. Juliette De Nevers St. Mammes De Langres Notre Dame De Boulogne-Sur-Mer Notre Dame De Cambrai Notre Dame De St. Omer St. Vaast D'Arras St. Etienne De Toul St. Etienne, Chalons-Sur-Marne St. Die St. Lazare D'Autun St. Benigne De Dijon Notre Dame De Senlis St. Etienne De Meaux St. Pierre De Troyes St. Etienne De Sens Notre Dame D'Evreux Notre Dame D'Alencon St. Pierre De Lisieux Notre Dame De Seez Notre Dame De Bayeux Notre Dame St. Lo Notre Dame De Coutances St. Pierre D'Avranches St. Samson, Dol-De-Bretagne St. Malo And St. Servan Treguier St. Brieuc St. Pol De Leon Vannes |
( Originally Published Ealry 1900's ) This former capital of the duchy of the same name is a sleepy, countrified French town, with little but its reputedly valuable and beautiful lace to commend it to the average observer. As a cathedral town, of even secondary rank, it will fall far short of any preconceived ideas which one may be possessed of concerning it, though its Cathedral of Notre Dame is in many ways one of those irresistible shrines, which at least promise, and often fulfil, a great deal more than their lack of magnitude indicates. Its facade, lacking the conventional towers, advances well into the roadway, as a sort of forward porch; as at Louviers near by. This porch is very ornate, with decorations of the late Gothic period of flowing tracery. After all, it is an incongruous sort of a building, in that only this porch and its squat central tower, which is nought but a mere cupola, are in the least decorative. The nave, the choir and chevet, and chapels, are all of a bareness which only exaggerates the floridness of these other appendages. The nave itself is but one hundred and ten feet long, and perhaps a scant thirty wide, and dates from the fourteenth century. It contains good glass of the same period, which luckily escaped the spoliation of the Revolution. The choir is more modern, and much plainer in treatment, and is but fifty-five feet in length and of the same width as the nave. There are no transepts; in short, the chief and most interesting features of the church are the before mentioned details, which, unquestionably bordering upon the debasement of Gothic art, are in every way attractive, with lightness and colour, if such an expression may be applied to gray stone. Certainly the play of sunlight on gracefully carven stone is indicative of a brilliancy which might be termed an effect of colour; and it is with respect to that quality that the west facade of Notre Dame d'Alencon appeals; more than as an otherwise grand or even highly interesting structure. |